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<sear:openurlfulltext><![CDATA[http://findtext.library.nd.edu:8889/ndu_local?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2013-04-10T14%3A24%3A06IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor&rft_val_fmt=info:ofi/fmt:kev:mtx:&rft.genre=article&rft.atitle=Van%20Gogh&rft.jtitle=The%20Poetry%20Ireland%20Review&rft.btitle=&rft.aulast=Smyth&rft.auinit=&rft.auinit1=&rft.auinitm=&rft.ausuffix=&rft.au=Smyth%2C%20Gerard&rft.aucorp=&rft.date=20020401&rft.volume=&rft.issue=72&rft.part=&rft.quarter=&rft.ssn=&rft.spage=85&rft.epage=85&rft.pages=85-85&rft.artnum=&rft.issn=03322998&rft.eissn=&rft.isbn=&rft.sici=&rft.coden=&rft_id=info:doi/&rft.object_id=&svc_val_fmt=info:ofi/fmt:kev:mtx:sch_svc&svc.fulltext=&rft.eisbn=&rft_dat=<jstor>10.2307/25579974</jstor>&rft_id=info:oai/&template=openurlfull_article]]></sear:openurlfulltext>\n \ </sear:LINKS>\n </sear:DOC>\n <sear:DOC LOCAL="false" SEARCH_ENGINE_TYPE="Primo Central 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It was only in the last ten years of his life that he took up painting. During that time he produced works of such vehement intensity that their reproductions are to be found across the globe; those signature images of sunflowers and blazing stars which have since passed into permanence, resonating the thoughts and feelings of each successive generation. Yet in his own lifetime Vincent experienced dismal failure and was unable to sell a single work. He was no more successful in his personal life; the few friends he did manage to make were quickly lost, and he was never able to start a family. Vincent's life faltered between hope and despair; each new connection he tried to forge was brutally disappointed. It is the writer's contention that the art of Van Gogh can be better understood by referencing the historical context of his life. That the loneliness Vincent experienced was at the same time the pre-condition for the beauty, melancholy and power of the art he produced. 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It was the relentless and alienating objectivities of the world he encountered which forced him to turn inward, to develop a rich mental life which was to culminate in both genius and madness. 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It was only in the last ten years of his life that he took up painting. During that time he produced works of such vehement intensity that their reproductions are to be found across the globe; those signature images of sunflowers and blazing stars which have since passed into permanence, resonating the thoughts and feelings of each successive generation. Yet in his own lifetime Vincent experienced dismal failure and was unable to sell a single work. He was no more successful in his personal life; the few friends he did manage to make were quickly lost, and he was never able to start a family. Vincent's life faltered between hope and despair; each new connection he tried to forge was brutally disappointed. It is the writer's contention that the art of Van Gogh can be better understood by referencing the historical context of his life. That the loneliness Vincent experienced was at the same time the pre-condition for the beauty, melancholy and power of the art he produced. It was the relentless and alienating objectivities of the world he encountered which forced him to turn inward, to develop a rich mental life which was to culminate in both genius and madness. 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