The Experimental Sound Studio Collection, sound recordings and other material, 1986-2007 Experimental Sound Studio Creative Audio Archive (CAA)
5925 N Ravenswood Chicago, IL 60660
2007
Finding aid encoded by Farris WahbehDate of Encoding Finding aid written inEnglish.
Collection Summary Creative Audio Archive
5925 N. Ravenswood Chicago, IL 60660
Experimental Sound Studio Experimental Sound Studio Archive 1986-2007 Records primarily inEnglish Digital and Analog

All the sound recordings were transferred from original source material in digital and analog formats. Original master recordings were transferred as 48 KHZ/24-bit flat, unprocessed WAV files. Listening copies are available in MP3 format derived from the transferred WAV files.

Administrative History

Experimental Sound Studio (ESS) is a non-profit organization founded in 1986 for the production, promotion, presentation, and preservation of diverse and innovative approaches to the sonic arts, and for the integration of these art forms into the community at large.

ESS engages in organizational collaborations and support services for artists’, educational, and community projects. These take the form of workshops with community organizations, collaborations with media arts organizations, radio broadcasts of artists’ projects, exhibitions of sound installations, and audio art projects in schools. Throughout the years, these collaborations have included Chicago Filmmakers, Chicago Arts Partnerships in Education, Forum Alternative High School, Rock For Kids, and many others.

Scope and Contents

The ESS collection contains material that are related to artistic, educational, and public programming that the organization initiated and developed. The collection does not include works created by clients or members who used ESS facilities. Sound recordings that comprise the collection were recorded and collected by staff since the inception of the organization in 1986. As an organizational archive, the collection will continue to grow as new programs are effectuated.

Arrangement of the Sound Recordings

The collection is arranged chronologically by project. All accession numbers are temporary and subject to change as the processing and transferring of the collection continues.

Restrictions on Access

Material is available to interested researchers by appointment.

Restrictions on Use

All material is copyright restricted to the individual artists that appear in the recordings.

Index Terms

Organizations: Experimental Sound Studio Subjects: Avant-garde (Music) Improvisation (Music) Art and Music Soundscapes (Music) Places: Chicago Document Types: Physical Characteristics and Technical Requirements

Processing Information

Accruals

New material, including events, performances, and workshops, related directly to the Experimental Sound Studio will be accessioned after approvel of Executive Director and Archive Manager. These will be added to the finding aid using the same organizational system.

Given the extensive nature of the ESS collection, only original materials, including source material used for final versions of an event, will be retained. Any duplicate copies or extraneous material will be excised from the collection. The Executive Director in consultation with the Archive Manager will carry out appraisal decisions.

Detailed Description of the Collection

Audio Recordings,1986-1999 1986-1999 Performance 1_ESS ESS English The Sound Show 1986.06.14-1986.07.18 Nancy Bechtol, Gene Coleman, Kevin Huotari, Eric Leonardson, Maria Lovullo, Larry Lundy/Susanne Suffredin, Don Meckley, Lou Mallozzi, Dan Richardson, Marc Siemer, Jack Urban, Perry Venson

Randolph Street Gallery

[Insert performance information]

The Sound Show is the first exhibition in a new program at Randolph Street Gallery devoted to sound art and new music. This program is producd in colloboration with the Experimental Sound Studio, a recently formed group dedicated to producing and promoting sound art. Randolph Street Gallery celebrates this important new collobration with this exhibit and a concurrent five=week long schedule of new music performances. [Performance documentation]

Material is copyright of respective artists.