ELF@D@8@xxDDpp@ > ?D ???4 <?=@<@0p00`0 D@?@400 9Q D @?@4 9<@Q<9@Q<>@Q900 9 " 9 9Q !9 9Q = 6@=>@@>=@<=@<;@DG@?E@4`0p0`00 =@B5= >@A  4 =C@=K@A4p@>G@<G@DS@i?Q@4`DY@c?W@4P0P0`P =V@A4PDG@Q?E@4@0@0P` =N@9<@0@0 0P0p000`@ 90p00`0 D E@A@?@4 DK@;@I@4DQ@5@O@4p=U@=]@90P0p0@0`@ QD? ??4pD???4`00p0 @>>@<>@<<@0p00 =?B5D <@>:@4 @>7@<7@<5@00 = ?A  4 =4@=?A4p@>.@<.@D?>?4`D?>?4P0P0`P =?A4PD?>?4@0@0P` =?9<@0@0 0P0p000`@ 90p00`0 D ???4 D???4D???4p=?=?90P0p0@0`@ QDK?a>I?4pDQ?[>O?4`00p0 @>?<?<?0p00 =?B5D ?;>?4 @>?<?<?00 = >A  4 =?=>A4p@>?<?D?>>4`D?>?4P0P0`P =?A4PD>=>4@0@0P` =>9<w?0@0 0P0p000`@ 90p00`0 D >>>4 D>>>4D>>>4p=?= ?90P0p0@0`@ QD>=>4pD>=>4`00p0 @>0?<0?<.?0p00 =?B5D >=>4 @>?<?<?00 = C>A  4 =?=P>A4p@>?<?DX>n=V>4`D^>h=\>4P0P0`P =[>A4PDL>V=J>4@0@0P` =S>9<>0@0 0P0p000`@ 90p00`0 D J>F>D>4 DP>@>N>4DV>:>T>4p=Z>=b>90P0p0@0`@ QD===4pD= ==4`00p0 @>><><>0p00 =>B5D A><?>4 @>><><>00 = =A  4 =>==A4p@>><>D=<=4`D=<=4P0P0`P ==A4PD=<=4@0@0P` ==9<]>0@0 0P0p000`@ 90p00`0 D ===4 D===4D===4p====90P0p0@0`@ QDP=f<N=4pDV=`<T=4`00p0 @>><><>0p00 =>B5D =@<=4 @>><><>00 = <A  4 =>=<A4p@>=<=D=<=4`D =< =4P0P0`P = =A4PD<<<4@0@0P` ==9<=0@0 0P0p000`@ 90p00`0 D <<<4 D<<<4D=<=4p====90P0p0@0`@ QD<;<4pD<;<4`00p0 @>=<=<=0p00 =s=B5D <;<4 @>v=<v=<t=0`9QTpU`<=D=|;=4@0@0`0pP0p0P@"<=SPD}=c;{=4 000@0SP65RP8P000@0 0"9<b=Dr=@;p=400@0<i=<g=0 000@09Q<5>QQ<9>Q0 99c9ph 9  h 9 h C 7>;5>4 9 <2>000p0p C 9>;7>4 C?>;=>4pC>;>4`9<4>CD>;B>40000  0@0`0P0 0p0p 7 000p D ;:;4 000p 0 0 `99Pc9@f90h9@f90h9 @f9 @h9ph<<D<:<4@0@0`0pP0p0P0"6)9f89f89 f8@0 0009<<9fD<^:<400@0 <\><l><>7@Q<>< >< >< >< >< >97@Q<?Q9<?Q<AQQ 7@D";,: ;4p000 0p00 0 00 0  `<A<A< ?< >< A< A< A<A<A<A<B< ?QD:9:4@0@0p00`00P00  D :9:4 000  D :9:4 0 00  D :9:4 0 0 0 0 000 7@D:9:4 0 0 0 @0 0pD:9:400000@00<FC Fw:>4 C Fq:>4 = k>0 00p0 0 0 PC EY:k>4 = >0 0 0`C EI:>4 C EC:>4 C E=:?4 CE7:?4CE1:?4p<ECE):?4`CE#:5>4P=?0P0@0 0`0 CE :>4`=?0`0P0  "*CE9@4`6e8C E9>4 =G>00@00`0P0   2 !9 0< nE0p000` 00000 0PC]E9>4pCYE9>4@CME9 ?40< ?000 `0@0`00P0P0`0@pC E9=4`=p?CE9=4@70@0p0` 0`00@0PC E9A@4 CE994=W@=o@9=@CE9E40000  0@0P0`0p000 D`9j8^94000  DDZ8D4 @<D<NFC PF98=4 C JF92=4 = =0 00p0 0 0 PC 2F9=4 = r=0 0 0`C $F9=4 C F9=4 C F|9=4 CFv9=4CFp9=4p<FCFh96>4`CEb9<4P=x>0P0@0 0`0 CEK9<4`=>0`0P0  "*CE99>4`6e8C E.9<4 =<00@00`0P0   2 !9 0< E0p000` 00000 0PCE8=4pCE8=4@CE8=40<=000 `0@0`00P0P0`0@pCgE8O<4`=>C_E8G<4@70@0p0` 0`00@0PC `E8>4 C\E8n84=?=?9==?C[E8YE40000  0@0P0`0p000 D87 84000  DC 7C4 @<.E<EC E8;4 C E{8;4 = ;0 00p0 0 0 PC Ec8;4 = !<0 0 0`C ES8I<4 C EM8U<4 C {EG8a<4 CwEA8m<4CsE;8y<4p<oECqE38<4`C[E-8;4P='=0P0@0 0`0 CDE8|;4`=L=0`0P0  "*CDE8b=4`6e8C 'E7_;4 =;00@00`0P0   2 !9 0< E0p000` 00000 0PCE7O<4pCD7[<4@CD7g<40<k<000 `0@0`00P0P0`0@pCD7:4`=<CD7:4@70@0p0` 0`00@0PC D7=4 CDy774====9==CDl7D40000  0@0P0`0p000 D6564000  DVB5TB4 @<D<TEC VEL7:4 C PEF7:4 = x:0 00p0 0 0 PC 8E.7x:4 = :0 0 0`C *E7:4 C &E7;4 C "E7;4 CE 7;4CE7(;4p<ECE6;4`CE6B:4P=;0P0@0 0`0 CD6+:4`=;0`0P0  "*CD6<4`6e8C D6:4 =T:00@00`0P0   2 !9 0< D0p000` 00000 0PCD6:4pCD6 ;4@CD6;40<;000 `0@0`00P0P0`0@pCmDc694`=};CeD[694@70@0p0` 0`00@0PC fDJ6N<4 CbDD654=d<=|<9=<CaD76_D40000  0@0P0`0p000 Dm5w4k54000  DAg4A4 @<4D<DC D6E94 C D6?94 = '90 00p0 0 0 PC D5'94 = 90 0 0`C D594 C D594 C D594 C{D594CwD594p<sDCuD5C:4`C_D584P=:0P0@0 0`0 CHD584`=:0`0P0  "*CHD5:4`6e8C +D584 =900@00`0P0   2 !9 0< D0p000` 00000 0PCDW594pCDQ594@CCK5940<9000 `0@0`00P0P0`0@pCC.5\84`=,:CC&5T84@70@0p0` 0`00@0PC C5:4 CC5{44=;=+;9=J;CC5C40000  0@0P0`0p000 D4&344000  D?3?4 @<C<CC C474 C C474 = 70 00p0 0 0 PC C474 = .80 0 0`C C4V84 C C4b84 C C4n84 CC4z84CC484p<CCC484`CnC474P=490P0@0 0`0 CWCw474`=Y90`0P0  "*CWCe4o94`6e8C :CZ4l74 =700@00`0P0   2 !9 0< 'C0p000` 00000 0PCC"4\84pCC4h84@CC4t840<x8000 `0@0`00P0P0`0@pCB3 74`=8CB374@70@0p0` 0`00@0PC B394 CB3*34=9=99=9CB3B40000  0@0P0`0p000 D2124000  Dc>1a>4 @<B?1C<1O>1?1C<1O>1=1>1?11?1:<1O>1?18<1O>1=1>1=1>1?11?1+<1O>1=1P>1?1&?1C<1O>1?1E<1O>1?1G<1O>1?1E<1O>1=1>1=1>1?11?11?15<1O>1?13<1O>1=1>1=1>1?11?11=91>1?11?1<1O>1?1<1O>1?1?1<1O>1?1<1O>1?1<1O>1?1<1O>1?1Q?1<1O>1?1<1O>1?1<1O>1?1<1O>1?1<1O>1?1T1?1<1O>1?1<1O>1?1<1O>1?1<1O>1?1 ?1<1O>1?1=?1<1O>1?1>?1E?2}?2 <1O>2?2~? 2? 2? 2<2O> 2?2?2?2?2<2O>2?2?2?"2=?#2<2O>#2?'2>?*2E?-2}?.2<)2O>.2?02<+2O>02=.2>.2=*2>.2?.2(2=#2>+2?+2%2=2>(2?(2"2?)2<$2O>)2=2>)2?)22?*2?/2<*2O>/2?32?42?92<42O>92=72>72?;2<62O>;2?=2<82O>=2??2<:2O>?2=32>?2=92>=2??22?>22??2?D2?I272?H2<2=2>G2?G2!2?F2$2?E272=2>D2?L2<G2O>L2=J2>L2?N21?O2?T2J2=1>S2?S2;2?R2<2?Q2E2=$0>N2?P21?S2<N2O>S2=Q2>Q2?Q2/=0>P2?P2:2?O2E2?N2B2?M2C2?L2H2=1>M2?M2#2?L2$2?K2?2?J2@2?K2 2?J2D2?I21?H2B2?G21?F2@2?E21?D2>2?E2m1?D2<2?C2 2=/>B2?B222?A22?B2D<=2O>B2?F2B?K2Q<F2O>K2?O2Q<J2O>O2?S2Q?X2V<S2O>X2?\2V<W2O>\2?^2T<Y2O>^2?`2V<[2O>`2=T2>`2=Z2>^2?`2P<[2O>`2=^2>^2?^21?_2Y2?^2V2?_2E?d2L?i2W2?h2\2=1>g2?g232?f2D2?e2W2?f2@<a2O>f2=1>f2=`2>d2=1>b2?d20?c20?b20?c2)?h20?m27?r2X2?q2]2?p2b2=0>o2?o2;2?n2@2?m2]2?l2b2?k2q1?j22?i2c2?h20?g2a2?f20?e2_2=1>d2?d2\2?c2/1?d2<_2O>d2=b2>d2?d2J2?c21?d2<_2O>d2=b2>d2?d282?c2 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.>2?21?21?21?21?2 =B1>2=->2?21?21?21?21?2 =+1>2?21=->2?21?21?21?21?2 =/1>2=->2?21?21?21?21?2 =1>2?2r1=->2?21?21?21?21?2 =0>2?21=->1?11?11?11?11?1} =0>2?21=w->1?11?11?11?11?1i =0>1?1<1=]->1?11?11?11?11?1U =j0>1?1 1=0>1?11=<->1?11?11?11?11?1: =0>1?11="->1?11?11?11?11?1& =u0>1?11=->1?11?11?11?11?1 =[0>1?11=,>1?11?11?11?11?1 =A0>1?11=,>1?11?11?11?11?1 =E0>1=,>1?11?11?11?11?1 =.0>1?1j0=,>1?11?11?11?11?1 =0>1?1h0=,>1?11?11?11?11?1 =/>1?1f0=o,>1?11?11?11?11?1 =/>1?1d0=U,>1?11?11?11?11?1 =/>1?1b0=;,>1?11?11?11?11?1u =/>1?1`0=!,>1?11?11?11?11?1a =/>1?1^0=,>1?11?11?11?11?1M =x/>1?1\0=+>1?11?11?11?11?19 =^/>1?1Z0=+>1?11?11?11?11?1% =D/>1?1X0=+>1?11?11?11?11?1 =*/>1?1Z0=+>1?11?11?11?11?1 =/>1?1X0=+>1?11?11?11?11?1 =.>1?1V0=k+>1?11?11?11?11?1 =.>1?1T0=Q+>1?11?11?11?11?1 =.>1?1R0=7+>1?11?11?11?11?11?11?11?11?11?1t1?11?1V1?11?181?11?11?11?10?11?10?11?10?11?10?11?10?11?1f0?11?1H0?11?1*0?11?1 0?11?1/?11?1/?11?1/?11?1/?11?1v/?11?1T/?11?16/?11?1/?11?1.?11?1.?11?1.?11?1.?11?1.?11?1d.?11?1F.?11=*>1?11?11?1.?11?1L-?11?1D?1<1O>1?1<1O>1=%>1?1=+>1?11?1<1O>1=1>1=-*>1?11?11?11?11?1<1O>1=1>1?11=*>1?11?11?11?11?1<1O>1=1>1?11=)>1?11?11?11?11?1?1<1O>1?1<1O>1=1>1?1d1=y1>1?11=1>1?11=)>1?11?11?1s1?11?1o=1>1=T1>1?11=o1>1?11=)>1?11?11?11?11?1R=1>1=/1>1?11=t)>1?11?11?11?11?1<=71>1?10=Z)>1?11?11?11?11?11?1y1?11?1W1?11?111?11?10?11?10?11?10?11=(>1?11?1<1N>1=1>1?11=*>1?11?11=0>1?11=0>1?1,?1=|*>1?1~1?11=0>1?1|1=0>1?1,=0>|1?|1+?{1w1?|1p1?{1u1?z1f1?y1s1?x1P1?w1q1?v1F1?u1o1=(>r1?r1l1?q1m1?r11?q1k1?p10?o1i1?|1?1<1O>1=$>1?11?1<1?11?11=(>1?11=40>1?1/=y(>1?1y1?~1z1?10?~1x1=?0>{1?{10=b(>x1?x1r1?w1s1?x10?w1q1=(0>t1?t1t0=K(>q1?q1k1?p1l1?q1;0?p1j1?q1/=0>r1?r1V0=1(>o1?o1i1?n1j1?o1[1?n1h1?m1S0?n1f1?m1g1?l1b0?k1e1?j1B1?i1c1?h1,1?g1a1?f11?e1_1?d1/?c1]1?b1/?a1[1='>^1?^1X1?]1Y1?^10?]1W1?\1X/?[1U1?h1j?u1<p1O>u1=$>u1?y1<t1O>y1?{1<v1N>{1=y1>y1=10>w1=*>u1=)0>s1?s1o1?t1h1?s1m1=0)>p1?p1j1?o1k1=L1>n1?n1h1?m1i1?l10='>i1?i1c1=81>f1=/>f1?f1`1=}'>c1?c1]1?b1^1?c1/?b1\1=!/>_1?_1I1=f'>\1?\1V1?[1W1?\1/?[1U1= />X1?X161=%/>U1?U1O1=H'>R1?R1L1?Q1M1?R1/?Q1K1=8'>N1?N11?M1I1?N10?M1G1?N1<=.>O1=!'>O1?O1I1?N1J1?O1;1?N1H1?M1I1?N1.1?M1G1?L1.?K1E1?J14/?I1C1?H1,0?G1A1?F1 1?E1?1?D10?C1=1?B10?A1;1?@1,0??191?>1(/?=171=z&>:1?:141?9151?:10?9131?81<.?7111?D1?Q1<L1O>Q1=#>Q1=&>Q1?Q1.?P1L1?Q1;.?P1J1?Q1?V1<Q1O>V1=T1>T1?T1.=&>Q1?Q1K1?P1L1?Q131?P1J1?O1.?P1.?O1I1?N1B1?M1G1?L1h.?K1E1?J1.?I1C1?H11?G1A1?F1-?E1?1=%>B1?B1<1=)>A1?A1=1='>@1?@1:1??1;1=0>>1?>181?=191?<1.?;1.?:141?91.?8121?71.?6101=5&>31?31-1?21.1?311?21,1?11-?01*1?=1;?J1@<E1O>J1=">J1?N1>=I'>O1?O1E1?N10)?O1)?N1H1=%>K1?K1E1?J1)?K1)?J1D1?I1)?H1B1=w%>E1?E1?1?D1@1?E1-1?D1>1?C11?B1<1?O1>?\1<W1O>\1=T">\19 'define-module*'guile'lily'accreg'filename'i/home/lily/lilypond-2.24.1/release/binaries/lilypond/build/out/share/lilypond/current/scm/lily/accreg.scm'set-current-module'process-use-modules'ice-9'optargs'srfi'srfi-1'define-register-set'macro'make-syntax-transformer'define-markup-command-internal'discant'markup-lambda-worker'string?'list'translate-scaled-markup'accordion-registers'ly:make-music-function' ly:music?' make-music'Music'void'call-with-deferred-observers'stdBass' stdBassIV'stdBassV' stdBassVI'freeBass'_'any' $sc-dispatch'-source expression failed to match any pattern'syntax-violation' Undocumented.'top'ribcage' set-symbol' definition'l-2f9f2a960784122-18'l-2f9f2a960784122-19'syntaks'l-2f9f2a960784122-4'hygiene'format'2Equivalent to @code{<>^\markup \~a@var{REGISTER}}.' datum->syntax'string->symbol'make-~a-markup' syntax->datum'begin't-2f9f2a960784122-e't-2f9f2a960784122-d'm-2f9f2a960784122-f'l-2f9f2a960784122-13'l-2f9f2a960784122-14'doc'l-2f9f2a960784122-7'l-2f9f2a960784122-8'l-2f9f2a960784122-9'define-markup-command'layout'props'name' properties'category'let*' instrument'register' ly:assoc-get'quote' reedbanks'reedbank'interpret-markup'make-general-align-markup'Y'DOWN'fold'lambda'd'm'make-combine-markup'make-translate-scaled-markup'make-musicglyph-markup' accordion.dot'glyph'or'dots' append-map'x' define-public'define-music-function'make-event-chord'TextScriptEvent' direction'text'accordion.discant'L'0.5'M'1.5'MM'MMM'H'2.5'1'10'11'1+0'1+1'1-0'1-1'20'21'2+0'2+1'2-0'2-1'30'31'100'101'110'111'11+0'11+1'11-0'11-1'120'121'12+0'12+1'12-0'12-1'130'131'make-discant-markup'module-export!'accordion.stdbass'Soprano'Alto'Tenor'Master'Bass' Contralto' Soft Bass' Soft Tenor' Bass/Alto'3.5 'make-stdBass-markup'Soft Bass/Alto'make-stdBassIV-markup'Sopranos'-0.5' Solo Bass'make-stdBassV-markup' Alto/Soprano' Contratenor'make-stdBassVI-markup'accordion.freebass'make-freeBass-markupxx yhz{L|}~ L@h T  8    8  ,T  0Lth<\|dp4   !4!!!L""#H##$D$%8%x%% &T&x& & ' ' ,(X((()H))`*|**0+P+"+%+(<,*\,+,,p---/-0l.1.3.4/5/80;t0>0A0D1G1I1J2K2L2N3O3P3R4S4T5WD5Z5]5` 6cD6f6h6i\7j7k$8mX8n* * * * * *      *  ** ** (("*** ** (("*** ** (("*** ** (("*** ** (("*** ** (("*`7A`7`7`7D 9`7iEE  EEEEE EEEEEE EEEEEE -E   ===2  ====== ===== == == ============= ==== == ====== ===E    EE E  EE ^~~D }*o<pEXeMaU`ek@It z0f&]h  ^_"`  ` `^D@d`da`t t  h  h#   >  \ & 48 4{ >^ 5-  (S  (o D DL! 5L!! !l" l"X#X###&5&4' 4'' '(!((Z(+i5+x,8 x,,^ ,-z-..1511 182 82$3$3T3 T3\65\67 7|7 |7h8,h88e "''',," 1666 1611 6 66 1611 6 66 1611 6 66 1611 6 66 1611 6 66 1611 6 $(08@ dx|                                                                                 !!!!! ! !!!!"""""""";CG1 0 4 TC11, 0 LPhltxC11, 0 LTXMX'''' $(McXgGgmmmmmm1  $ (04 8LPT \   $$CgGgmmmmmmmmmmmmmm1    $(0 48 <@H LPT X`dhp  Cmmmmmm1mm1 $ 0 48 D HLTXpx|   q'',,1111111 $(08@ H$P(X,\0d4h0p4t0x4x0x44040,044 $(,048<@@@,,(($$6,, $8<Dd   $$(((,,0((,(((,,0 ( (8 0 4 HLTp$ 8<Dd104< DHPdh (6,, $8<Dd   $$(((,,0((,(((,,0 ( (8 0 4 HLTp$ 8<Dd104< DHPdh (6,, $8<Dd   $$(((,,0((,(((,,0 ( (8 0 4 HLTp$ 8<Dd104< DHPdh (6,, $8<Dd   $$(((,,0((,(((,,0 ( (8 0 4 HLTp$ 8<Dd104< DHPdh (6,, $8<Dd   $$(((,,0((,(((,,0 ( (8 0 4 HLTp$ 8<Dd104< DHPdh (6,, $8<Dd   $$(((,,0((,(((,,0 ( (8 0 4 HLTp$ 8<Dd104< DHPdh (`$(Dl" #'(,:.82#T3$|7=&3}`H\hPp4l|0,4""|T#@$0p$x'(|()0),`-|-.0.22| 3 40<4D77|d8P909E%.. Guile 2.2.7Z} /home/lily/lilypond-2.24.1/release/binaries/lilypond/build/out/share/lilypond/current/scm/lily/accreg.scm ,9a|^%,#  v [P}}}}@}c#``thhp4 4|(0DL!!|l"X#0#&4'|'(0(+x,|,-0.11|82$30T3\67||7h808Eclosuremoduleboxargmvalnilvalstailrestprocnamesyntakstmpfalseset-symboldefinitiondocnfreeidxt-2f9f2a960784122-et-2f9f2a960784122-dlayoutpropsinstrumentregisterreedbankstdxDefines markup command named with @var{set-symbol} for creating accordion register markups as well as a music function of the same name. @var{doc} is the optional documentation string followed by the actual @var{definition}. See existing definitions in @file{scm/accreg.scm} for examples.(name) @code{\discant @var{name}} generates a discant accordion register symbol. To make it available, @example #(use-modules (lily accreg)) @end example is required near the top of your input file. The register names in the default @code{\discant} register set have modeled after numeric Swiss notation like depicted in @uref{http://de.wikipedia.org/wiki/Register_%28Akkordeon%29}, omitting the slashes and dropping leading zeros. The string @var{name} is basically a three-digit number with the lowest digit specifying the number of 16' reeds, the tens the number of 8' reeds, and the hundreds specifying the number of 4' reeds. Without modification, the specified number of reeds in 8' is centered in the symbol. Newer instruments may have registrations where 8' can be used either within or without a tone chamber, @q{cassotto}. Notationally, the central dot then indicates use of cassotto. One can suffix the tens' digits @samp{1} and @samp{2} with @samp{+} or @samp{-} to indicate clustering the dots at the right or left respectively rather than centered. Some examples are @lilypond[quote] #(use-modules (lily accreg)) \markup { \center-column { \discant "1" "\\discant \"1\"" \vspace #1 \discant "120" "\\discant \"120\"" } \hspace #3 \center-column { \discant "1+0" "\\discant \"1+0\"" \vspace #1 \discant "131" "\\discant \"131\"" } } @end lilypond (register) Equivalent to @code{<>^\markup \#@var{REGISTER}}.(name) @code{\stdBass @var{name}} generates a standard bass accordion register symbol. To make it available, @example #(use-modules (lily accreg)) @end example is required near the top of your input file. The default bass register definitions have been modeled after the article @uref{http://www.accordions.com/index/art/stradella.shtml} originally appearing in Accord Magazine. The underlying register model is @lilypond[quote] \new PianoStaff << \new Staff \with { \omit TimeSignature } { \glissando \glissando } \new Staff \with { \omit TimeSignature } { \clef bass \glissando \glissando } >> @end lilypond This kind of overlapping arrangement is common for Italian instruments though the exact location of the octave breaks differ. When not composing for a particular target instrument, using the five reed definitions makes more sense than using a four reed layout: in that manner, the @samp{Master} register is unambiguous. This is rather the rule in literature bothering about bass registrations at all. Available registrations are @lilypond[quote] #(use-modules (lily accreg)) \markup { \center-column { \stdBass "Soprano" "\\stdBass \"Soprano\"" \vspace #1 \stdBass "Alto" "\\stdBass \"Alto\"" \vspace #1 \stdBass "Tenor" "\\stdBass \"Tenor\"" \vspace #1 \stdBass "Master" "\\stdBass \"Master\"" } \hspace #3 \center-column { \stdBass "Soft Bass" "\\stdBass \"Soft Bass\"" \vspace #1 \stdBass "Soft Tenor" "\\stdBass \"Soft Tenor\"" \vspace #1 \stdBass "Bass/Alto" "\\stdBass \"Bass/Alto\"" } } @end lilypond (register) Equivalent to @code{<>^\markup \#@var{REGISTER}}.(name) @code{\stdBassIV @var{name}} generates a standard bass accordion register symbol. To make it available, @example #(use-modules (lily accreg)) @end example is required near the top of your input file. The main use is for four-reed standard bass instruments with reedbank layout @lilypond[quote] \new PianoStaff << \new Staff \with { \omit TimeSignature } { 2\glissando } \new Staff \with { \omit TimeSignature } { \clef bass \glissando } >> @end lilypond Notable instruments are Morino models with MIII (the others are five-reed instead) and the Atlantic@tie{}IV. Most of those models have three register switches. Some newer Morinos with MIII might have five or even seven. The prevalent three-register layout uses the middle three switches @samp{Tenor}, @samp{Master}, @samp{Soft Bass}. Note that the sound is quite darker than the same registrations of @samp{c,}-based instruments. Available registrations are @lilypond[quote] #(use-modules (lily accreg)) \markup { \center-column { \stdBassIV "Soprano" "\\stdBassIV \"Soprano\"" \vspace #1 \stdBassIV "Alto" "\\stdBassIV \"Alto\"" \vspace #1 \stdBassIV "Tenor" "\\stdBassIV \"Tenor\"" \vspace #1 \stdBassIV "Master" "\\stdBassIV \"Master\"" } \hspace #3 \center-column { \stdBassIV "Soft Bass" "\\stdBassIV \"Soft Bass\"" \vspace #1 \stdBassIV "Bass/Alto" "\\stdBassIV \"Bass/Alto\"" \vspace #1 \stdBassIV "Soft Bass/Alto" "\\stdBassIV \"Soft Bass/Alto\"" \vspace #1 \stdBassIV "Soft Tenor" "\\stdBassIV \"Soft Tenor\"" } } @end lilypond (register) Equivalent to @code{<>^\markup \#@var{REGISTER}}.(name) @code{\stdBassV @var{name}} generates a standard bass accordion register symbol. To make it available, @example #(use-modules (lily accreg)) @end example is required near the top of your input file. The main use is for five-reed standard bass instruments with reedbank layout @lilypond[quote] \new PianoStaff << \new Staff \with { \omit TimeSignature } { 2\glissando } \new Staff \with { \omit TimeSignature } { \clef bass \glissando } >> @end lilypond This tends to be the bass layout for Hohner's Morino series without convertor or MIII manual. With the exception of the rather new 7-register layout, the highest two chord reeds are usually sounded together. The Older instruments offer 5 or 3 bass registers. The Tango@tie{}VM offers an additional @samp{Solo Bass} setting that mutes the chord reeds. The symbol on the register buttons of the Tango@tie{}VM would actually match the physical five-octave layout reflected here, but it is not used in literature. Composers should likely prefer the five-reed versions of these symbols. The mismatch of a four-reed instrument with five-reed symbols is easier to resolve for the player than the other way round. Available registrations are @lilypond[quote] #(use-modules (lily accreg)) \markuplist \justified-lines { \center-column { \stdBassV "Bass/Alto" "\\stdBassV \"Bass/Alto\"" \vspace #1 \stdBassV "Soft Bass/Alto" "\\stdBassV \"Soft Bass/Alto\"" \vspace #1 \stdBassV "Alto" "\\stdBassV \"Alto\"" \vspace #1 \stdBassV "Tenor" "\\stdBassV \"Tenor\"" \vspace #1 \stdBassV "Master" "\\stdBassV \"Master\"" } \hspace #3 \center-column { \stdBassV "Soft Bass" "\\stdBassV \"Soft Bass\"" \vspace #1 \stdBassV "Soft Tenor" "\\stdBassV \"Soft Tenor\"" \vspace #1 \stdBassV "Soprano" "\\stdBassV \"Soprano\"" \vspace #1 \stdBassV "Sopranos" "\\stdBassV \"Sopranos\"" \vspace #1 \stdBassV "Solo Bass" "\\stdBassV \"Solo Bass\"" } } @end lilypond (register) Equivalent to @code{<>^\markup \#@var{REGISTER}}.(name) @code{\stdBassVI @var{name}} generates a standard bass accordion register symbol for six reed basses. To make it available, @example #(use-modules (lily accreg)) @end example is required near the top of your input file. This is primarily the register layout for the Hohner @qq{Gola} model. The layout is @lilypond[quote] \new PianoStaff << \new Staff \with { \omit TimeSignature } { \glissando \glissando } \new Staff \with { \omit TimeSignature } { \clef bass \glissando \glissando } >> @end lilypond The registers are effectively quite similar to that of @code{\stdBass}. An additional bass reed at alto pitch is omitted for esthetical reasons from the @samp{Master} setting, so the symbols are almost the same except for the @samp{Alto/Soprano} register with bass notes at Alto pitch and chords at Soprano pitch. Available registrations are @lilypond[quote] #(use-modules (lily accreg)) \markup { \center-column { \stdBassVI "Soprano" "\\stdBassVI \"Soprano\"" \vspace #1 \stdBassVI "Alto" "\\stdBassVI \"Alto\"" \vspace #1 \stdBassVI "Soft Tenor" "\\stdBassVI \"Soft Tenor\"" \vspace #1 \stdBassVI "Master" "\\stdBassVI \"Master\"" } \hspace #3 \center-column { \stdBassVI "Alto/Soprano" "\\stdBassVI \"Alto/Soprano\"" \vspace #1 \stdBassVI "Bass/Alto" "\\stdBassVI \"Bass/Alto\"" \vspace #1 \stdBassVI "Soft Bass" "\\stdBassVI \"Soft Bass\"" } } @end lilypond (register) Equivalent to @code{<>^\markup \#@var{REGISTER}}.(name) @code{\freeBass @var{name}} generates a free bass/@/converter accordion register symbol for the usual two-reed layout. To make it available, @example #(use-modules (lily accreg)) @end example is required near the top of your input file. Available registrations are @lilypond[quote] #(use-modules (lily accreg)) \markup { \center-column { \freeBass "1" "\\freeBass \"1\"" \vspace #1 \freeBass "10" "\\freeBass \"10\"" } \hspace #3 \center-column { \freeBass "11" "\\freeBass \"11\"" } } @end lilypond (register) Equivalent to @code{<>^\markup \#@var{REGISTER}}..guile.procprops.rodata.data.rtl-text.guile.frame-maps.dynamic.strtab.symtab.guile.arities.strtab.guile.arities.guile.docstrs.strtab.guile.docstrs.debug_info.debug_abbrev.debug_str.debug_loc.debug_line.shstrtab